![]() They beat prisoners, force them into confessions, and they frequently skirt police procedures to ‘follow their instincts’. Our two main characters, Park and Cho, are both rather brutal in their investigation tactics. This film, and the play that it was based on, was very clearly taking a stab against the police mishandling of this case (this was, after all, based on a true story), but at the same time, it’s a commentary on police brutality and coercion of testimony. Bong was also a co-writer on this film (he adapted it from a play by Kwang-rim Kim), and the way that he develops characters shows a lot of prowess. That shot becomes metaphorical for the way in which the police department has so far handled murder cases: they’re trying, but they’re just too ill equipped and unprepared for what hit them. The scene plays out before us in a single long shot, and it’s like watching a chaotic but beautifully choreographed ballet. Park Doo-man tries desperately to get his fellow police officers to rope off the area and secure a crime scene, but as he attempts this, the scene around him is flooded with people- reporters, gawkers, and other ostensibly clueless junior police officers. There is one shot in particular that sticks out, and the shot comes when Park Doo-man and Cho Yong-koo first arrive at a crime scene. ![]() There are so many dynamic shots with incredible deep staging, some of which coordinate hundreds of extras with mind-boggling camera moves. ![]() So first and foremost, the directing in this film is absolutely astounding. The two cops must work together and put aside their differences, lest the murderer continue his spree, or worse… get away… But Park Doo-man and Seo Tae-yoon soon find their investigation methods at odds. Soon, the far more experienced Detective Seo Tae-yoon (Sang-kyung Kim, “Jang Yeong-Sil”) from Seoul comes to assist in the case. Using their less-than-keen detective skills and, when that fails them, unnecessary brute force with witnesses, the two are able to determine that both victims were probably killed by a one killer. In 1986 in a small village in South Korea, Detectives Park Doo-man (Kang-ho Song, “The Good the Bad the Weird”) and Cho Yong-koo (Roe-ha Kim, “A Bittersweet Life”) find two bodies in a similar location within a very short timeframe.
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